OK, this is clever stuff...
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Hey, just like some of my 33 1/3 long playing records. Albums used to do that sort of thing all the time.
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Hey, just like some of my 33 1/3 long playing records. Albums used to do that sort of thing all the time.
What I like is that it's really simple tech; you just have sliders to delay the sound to each channel, and that makes it "move" with incredible precision (way more effective than using multiple mics -- and editable). Unfortunately, the creative genius of most producers results in just moving individual point sources from side to side (making it sound, for example, as if the singer is swinging on a rope behind you), but the few genuinely creative people who manage to get into the music industry will do a lot more with it.
I wanna be a eunuchs developer! Pass me a bread knife!
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I listened through my speakers, not very special. Put on my earphones and the sound is moving, very cool! My dumbass looks at the laptop (right of me) wondering why the sound is not coming through the speakers (in front of me) :laugh:
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OK, I think I'm in love with Elle Vee.
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Abusing Extension Methods, Null Continuation, and Null Coalescence OperatorsBack o' the line, Bub! Actually, I've been thinking about how good this would be for audiobooks and training material. The way sounds and voices can be placed and moved around you with such precision and timing makes it a very personal experience; moreso than can be obtained by using gain and multi-mic set ups (and, as evidenced, it can increase the feeling of closeness to the singer/raconteur, so vicinity becomes a variable tool). Me <-- Tempted to invest in some equipment and play with it.
I wanna be a eunuchs developer! Pass me a bread knife!
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Back o' the line, Bub! Actually, I've been thinking about how good this would be for audiobooks and training material. The way sounds and voices can be placed and moved around you with such precision and timing makes it a very personal experience; moreso than can be obtained by using gain and multi-mic set ups (and, as evidenced, it can increase the feeling of closeness to the singer/raconteur, so vicinity becomes a variable tool). Me <-- Tempted to invest in some equipment and play with it.
I wanna be a eunuchs developer! Pass me a bread knife!
Mr Dolby and his crew have managed to do it with speakers. My ATMOS receiver manages to simulate 2 extra speakers to get 7.1 out of 5.1. Really impressive! Still, getting such effects from just 2 channels is pretty cool. I remember similar stuff with SQ Quadraphonic LPs using in and out of phase signals.
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Mr Dolby and his crew have managed to do it with speakers. My ATMOS receiver manages to simulate 2 extra speakers to get 7.1 out of 5.1. Really impressive! Still, getting such effects from just 2 channels is pretty cool. I remember similar stuff with SQ Quadraphonic LPs using in and out of phase signals.
I've been digging into this audio stuff for a couple of days, now, and a lot of is really is damned clever engineering. It's nice to know that there are still scientists in the world who do things right (given that we mostly hear about the ones who don't).
I wanna be a eunuchs developer! Pass me a bread knife!
